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I picture this timing most likely created during the Palladium era yet I haven't validated that. Eddie Torres began teaching and popularizing this timing start in the 1980's, from what I recognize. He was mentored by the late June Laberta, a ballroom dance instructor, who aided him establish his strategy and timing.


The tale I'm constantly informed here, that still calls for additional examination, is that as salsa started getting to brand-new audiences beyond the Caribbean and New York City, it was less complicated and more intuitive to teach social outsiders to dance On1 in contrast to On2. This story does not account for the fact that I have actually heard Rueda de Gambling enterprise was initially danced a tiempo On3 in Cuba.


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Salsa On1 is simply one of various salsa timings you can dance to and it is one of the most common timing you'll find on the planet today. Salsa On1 timing interpretation: "On1" implies you start dancing on the initial beat of bench of music the 1. Your break actions (direction changes) get on beats 1 and 5.


The exemptions I have actually discovered up until now, where On2 is most typical, would certainly be around New York and in South Korea (Salsa San Francisco). I'm sure there are other locations that dance mostly On2 yet I have not danced in every country yet! If you're not sure what timing is most common where you live, ask your neighborhood dance studio


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When someone says "I dance salsa On1" they most likely indicate "I dance direct style salsa On1" (although you can dance any type of design of salsa On1, people generally indicate linear style). Don't worry if you have actually said these things before, it's all excellent all of us have! The essential point is to keep in mind there's a distinction between design and timing and deepen your understanding so you can be extra accurate when discussing salsa with your friends.


It links perfectly with the wording in the songs, particularly the piano, and other percussion instruments like the cow bell and giro. Timing and design are two different points, so different the concepts when you speak about salsa with your close friends. Despite what timing is most common in your region of the globe, remember you can technically dance any kind of style of salsa to any type of timing discover and take pleasure in! Want more? Look next into this deep dive on the distinction between dance salsa On1 vs On2 when dancing a tiempo.


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Although there is an initial mambo dancing that originated from Cuba and afterwards infected Mexico and New York in the 40s and 50s, nowadays when someone states "I dance mambo" they indicate salsa On2, which is various than the initial mambo dancing. The erratic free-from actions of the original mambo were danced solo.




As the dancing started to spread, On1 timing began to come to be popular. Salsa On2 interpretation: "On2" indicates you begin dancing on the very first beat of the bar of music the 2.


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Historically those are the tools that a child cubano professional dancer attached with which was handed down to mambo and salsa. A great deal of dancers take pleasure in dancing On2 for the diverse ways you can attach to the music. This is the initial kid cubano and mambo timing. Kid cubano is the music and dancing that preceded mambo and salsa.


It connects well to the clave, bass and conga - Salsa San Francisco. Cha-cha is much like dance On2 contratiempo yet you add the three-way action on 4 and 8. Danced to the very same beats as On1, your break actions are now on 2 and 6, which changes the feel of the dance.


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This timing is nearly identical to contratiempo On2 but the actions that are usually on 4 and 8 are on 4. It's practically like a timing in between a tiempo and contratiempo.


5 rather of 5) you're dancing this syncopated timing. If you're dancing contratiempo and you tip half a beat late in the home placement (on 4. 5 as opposed to 4) you're dancing syncopated timing. In truth it appears it's commonly danced as kind of a "blunder" for any individual dancing the previous two timings.


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Regardless, people speak about it so right here it is (https://www.storeboard.com/dancefridays3). As discussed previously, this was the first interpretation of dancing on clave (son clave), where the Puerto Ricans would certainly align their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. They referred to it as "dancing on clave" as it was before people referred to it as "dancing On2." The concept is to align as numerous actions of your standard as possible with the strikes of the boy clave.


The important things about music and dancing is that there is no right or wrong. There is just analysis. You can dance on any kind of timing you such as! Normally, people have found a means to dance on virtually every timing possible to child and salsa songs. Individuals dance On3 for the same reason you dance On1 due to the fact that it stresses the strong beats of 1-3-5-7.


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Allow's consider the beats you dance On1 to: -2-, -6- (solid beats are in vibrant) Let's take a look at the beats you dance On3 to: -4-, -8- (strong beats are in bold) Notice exactly how the solid beats are spaced specifically the same for On1 and On3? All you do is start stepping On3 rather than On1.


That's why dancing On3 is so usual in Latin America. People either Try to dance On1 however start stepping On3 by mishap and it exercises simply fine, or They do not understand much regarding timing and are simply analyzing what they hear in the songs, based on their experience maturing in a culture with salsa.

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